Analytical Painting of P. Filonov as a Step Towards to Death of the Person and Death of Art

Abstract

Article is devoted to philosophy of painting of Pavel Filonov. The author analyzes installations of analytical art and their realization in concrete works of art. He pays attention that hidden which was a subject of analytical painting, there is visible of the world if to skin with it, to show its back, ontologically with it akin. Filonov is turned to scientific type of thinking. The science assumes ontology of the mind watching object which has no internal, hidden from the observer states. It deals with the world of a surface, with the world of bodies. This world loses a transcendental wrong side, and therefore Filonov's painting of an antimetafizichn. Filonov puts evolution to replace metaphysics. Not only God and the person within such approach are ontologically equal, but equal are the person and anything of the world, a person and an animal, the person and metal. To the place of a transtsendention Filonov puts idea of the world pulsing in the immanention. To the place of the constants which are a truth condition - the principle of formation. To the place of a phenomenon of «person» - the consciousness assimilating with the world. In Filonov's ontology the consciousness dissipates in the world, merges with it, becoming derivative of an unconscious body. Before the European philosophers of the XX century Filonov paves the way for idea of death of the person.